Here are three Holga shots from Glenbow Ranch Provincial Park near Cochrane, Alberta. IF you want to learn more about the park and all of its winter possibilities for photographers be sure to sign up for our Twoonie Talk (2 dollars to get in) on Jan 21, 2012 in Cochrane – for more information please see here.
Archive for the Art of Photography Category
Today is the official release date of oopoomoo! This is a new website that Samantha and I put together that is the one-stop shop for everything Sam and Dar. But it will be more than just a photography site, or a place to get eBooks or workshops. The concept behind oopoomoo relates more to our attitude towards life. Life is short: why not just do the things you love and live a balanced healthy lifestyle? Why not give back a little instead of always taking? Why not live a little softer on the planet? Why not have fun and smile a lot? Well, oopoomoo is our attempt to live that kind of life. We are photographers and photography instructors and we love our work. But we also love nature, hiking, eating, drinking, art, music and, in short, life. We want oopoomoo to reflect our passion about these things, and we want to share our passion for living well with the world. We would love to have you come along!
Ultimately we will be ending all our other websites so we can concentrate on oopoomoo and all the fun and meaningful projects we hope to engage in. So we will stop posting on our personal blogs (both this blog and Sam’s blog will finish at the end of the this year). Ultimately we will also end our personal websites and have everything we do happen at oopoomoo.
Finally, over at oopoomoo we decided affiliates and sponsorships wasn’t our thing. We’ll let others continue on with these kinds of partnerships because they are good at them! We find our time is pretty much taken up trying to live our new philosophy on life.
Drop by oopoomoo and let us know what you think and stay tuned for all sorts of interesting posts on photography and life!
Darwin and Sam
When I am out doing ‘serious’ photography, I have my ‘serious’ camera gear. Usually for landscape photography that is my Canon 1ds Mark III with my four Tilt-Shift lenses and a telephoto zoom (Sigma 120-400mm). But even with my landscape photography pack, I still always have my point-n-shoot camera in a pocket just to get fast grab shots in changing light. For the November Fire and Ice Tour we stopped at the Bighorn Dam west of Nordegg to find fast moving fog rolling through the spruce trees. I made these two quick snaps with the Canon G11 because the light was changing super fast. By the time I could dig out the ‘big guns’ the moment was gone. If I didn’t have the point-n-shoot I probably would have missed the moment! Mostly this is a reminder to myself to always have the point-n-shoot with me.
Here’s the Ice, Where’s the Fire?
This photo was taken on the last morning of the Fire and Ice Photo Tour in the Canadian Rockies which ended yesterday. Unlike most November tours, this tour we were given cloudy and snowy conditions. But even with the lack of ‘fire’ (sunrises and sunsets), the group of intrepid photographers made some great images.
One of the tricks I use in ‘bad light’ (e.g. overcast, grey days) is to set my digital camera to ‘monochrome’ so that the LCD of my camera shows B+W photos. I find it helps to strip away the colour to see compositions in B+W. Often there will be great images out there that speak to be taken even in the ‘crappy’ light. The image is a case in point. In colour it had no life but when I saw how it looked on the LCD in monochrome, I decided the photo was worth taking. If you shoot in RAW format the camera will display a B+W image on your LCD but record a full colour image in-camera which you can use to make B+W conversion later in post processing. I use Silver Efex Pro 2 as my default B+W conversion program (for a 15% discount on the software just enter darwin as the discount code on checkout). Stay tuned for great shots from participants in the following weeks most of whom used the monochrome setting on their cameras to mine wonderful B+W images in the moody light
For anyone wanting to see the new ice in the Rockies and hopefully to get a bit of fire to boot, there is one spot left starting this Wednesday (November 16) until Sunday (November 20). Contact Alan at the Aurum Lodge (email@example.com) to for more information.
Last week Sam posted a comparison of the same subject shot with film and digital. Her point was to show that the two media deliver very different results and that neither was ‘true’ to her experience of being there. Of course, we all know that cameras do not record things exactly like we see them. Some capture devices seem ‘truer’ than others but none record the ‘truth’ (5 human observers to the same event will all ‘record’ or remember the event differently – so what is truth anyway?).
Given that there is no universal truth then it simply becomes a question of what tool (camera, film type, digital sensor type, processing workflow etc) returns results closer to the way you view or want to present the world in your art. Of course you can enhance or alter the capture in processing (either in the digital or chemical darkroom) to get the results even closer to your personal view. I believe it’s always better to use the media that delivers results closest to where you want to end up, rather than shaving a square block down to fit into a round hole (but maybe that is just me, some of you might like the shaving process ;-)).
The two images below were photographed at the Nordegg mine and were taken at the same time as Sam’s shots in her post. The results of the comparison look similar to the Sam’s in terms of colour and contrast. Which you prefer is personal, you might like one better than the other, or you might not like either rendition. Your job as a photographer is to translate what you see and feel about a scene to your viewer. Using the media that gets you the results you want is really all that matters.
Above – Shot with a Tachihara 4×5 view camera using Fujichrome Velvia 50 slide film (I used a flashlight to paint light onto the wheels – the orange cast).
Below – Shot with a Canon EOS-1ds digital camera and light-painted as described above.
Making photos usually does not stop at pressing the shutter. Image making is a three part process and this process was really popularized by Ansel Adams in his series of books; The Camera, The Negative and The Print. In today’s digital world photography world, we capture images in our camera, we process the resulting image (often a RAW ‘negative’) in the computer and then we output our images to print (or the web) so the process has not changed just the technology of how we do the process.
I would add a fourth component to Ansel Adams equation and that is The Person. The camera does not make the image; it is the photographer. What interests you, what attracts your eye, what you choose to include or exclude, how you compose and ‘see’ are individual and personal. So let’s not forget that the end product is the result of the personal vision of the photographer (and this vision can and should carry through from seeing to capture, development and print).
As a photographer who learned and grew up photographically using slide film, I was mostly denied the luxury of carrying my photographic vision beyond the press of the shutter. The end product was the slide (a piece of positive film). The image was ‘processed’ by a lab and there was little ‘creative’ input at the processing stage (save for altering the the exposure by pushing or pulling the development). Really, the film was developed in a set formula to insure that the exposure captured in-camera was the exposure that came out on the slide. And as far as printing was concerned slide film could be printed but with difficulty and serious photographic printers stuck with negative film. Mostly slides were used to hand to publishers who printed the image in books and magazines and calendars (the printing was out of the photographer’s control). The simple point here is that a slide shooter had to use all his or her craft and art in the capture stage. The image had to be finished in-camera. End of story.
I was reminded of the ‘getting it right’ in-camera during a recent Creative Expression Masterclass workshop with Royce Howland and Samantha Crysanthou. For some of the exercises in seeing we needed participants to capture images in-camera using JPEG and the images were not to be processed after the fact. Having to capture what to what you see and getting it the best possible in-camera is great exercise in discipline. Even this former slide shooter realized just how much I have come to rely on ‘enhancing’ my personal vision through the development of the digital negative. The image below is an in-camera JPEG capture and this image reminded me how rewarding it was and is to get a completely finished image in-camera. No post-processing was done on this image save for resizing and sharpening for the web.
Canon EOS-1ds Mark III, Canon TS-E 24mm lens, 1/4s at f11, Singh-Ray LB warming polarizer, Singh-Ray 3 stop soft-edge grad filter.
Samantha and I just got back from the SNAP! Photography Seminars ‘Weekend Workshop’ with John Marriott which, based on the feedback forms was a great success. We had a wonderful group of talented photographers ranging from absolute beginners to semi-pro shooters. Because our location was based in the heart of Banff National Park near Lake Louise it was hard for photographers not to wish for ‘good light’ for the sunrise and sunset shoots. Good light to most of us means richly-coloured skies and warm light skimming across the peaks. Well, the weather did not co-operate with these expectations and we were mostly met with overcast skies.
The problem with expectations is that they blind you to other opportunities which can lead to thrilling images. On the last day of the workshop we all went to Lake Louise at sunrise. Of course, there was no sunrise but instead it was cloudy, then fog rolled in, and then it started to snow. There was some grumbling about the ‘crappy’ light but where some people saw a curse of bad luck, others found inspiration. There really is no such thing as bad light (just bad attitudes ;-)). Below are two images made from the ‘crappy light’ that morning at Lake Louise that show that photographers with an open mind can create amazing images no matter what the conditions.
These two photos were the images that John, Sam and I felt were the most compelling of the weekend (all made in the ‘worst’ light by the way). To us these were refreshing and novel images of Lake Louise. How many more pink alpen-glow images need to be made from here anyway? To see more work by each photographer simply click on their photos. Watch in the future for new workshop offerings from Samantha and myself and new offerings from John Marriott.