Back in 1999 (doesn’t that seem so long ago?) I lived in the town of Jasper. I was a full-time stock photographer and of course was still shooting film. All the stock agencies in those days only wanted images captured on slide film. I loved slide film but it had a very narrow range of exposure latitude; it had to be perfectly exposed and even then it could only handle a small range of contrast (about 5 f-stops from pure black to pure white). Negative film, on the other hand could handle a whopping tonal range of 7 to 9 f-stops. If only I could shoot with negative film and enjoy the benefits of wider tonal capture!
Well, in 1999, I shot all year with negative film and then scanned my best ‘negs’ on a high end digital drum scanner and then ‘worked’ the scans in Photoshop and had the digital files output as 4×5 inch LVT transparencies (in other words, big honking slides!). The stock agencies loved these big slides, and I loved the wider tonal range I got with this process. I did not like the expenses of drum scans and LVT output costs and so only output a few select images per month.
Fast forward to today and in my basement sits a dusty binder full of 1999 negatives from Jasper that have never been scanned nor seen by anyone (even I barely remember what is in that binder. I plan to revisit this little treasure trove of lost memories from time to time to share a few negs from my ‘bad old days’ as a bachelor in Jasper. For now here are two images shot on negative film that turned out to sell well with the stock agencies.

©Darwin Wiggett - Mamiya 645 Pro TL, Mamiya 80mm lens, Fuji Reala Film

©Darwin Wiggett, Mamiya 645 Pro TL, Mamiya 35mm lens, Fuji Reala Film